Torrent Lady Gaga The Fame Monster Deluxe Edition

 admin  
  1. Lady Gaga The Fame Monster Deluxe Edition Torrent
The Fame Monster
Studio album (reissue) / EP by
ReleasedNovember 18, 2009
Recorded2009
Studio
  • Darkchild Studios (Los Angeles, California)
  • FC Walvisch (Amsterdam, Netherlands)
  • Metropolis Studios (London, United Kingdom)
  • Record Plant (Los Angeles, California)
  • Studio Groove (Osaka, Japan)
GenreElectropop[1][2]
Length
  • 84:28
  • 34:09 (EP)
Label
Producer
  • Tal Herzberg
  • Lady Gaga
Lady Gaga chronology
Hitmixes
(2009)		The Fame Monster
(2009)		The Remix
(2010)
Alternative cover
Singles from The Fame Monster
  1. 'Bad Romance'
    Released: October 26, 2009
  2. 'Telephone'
    Released: January 26, 2010
  3. 'Alejandro'
    Released: April 20, 2010
  4. 'Dance in the Dark'
    Released: July 26, 2010

The Fame Monster is a reissue of American singer Lady Gaga's debut studio album, The Fame (2008), and was released on November 18, 2009, through Interscope Records. Initially planned solely as a deluxe edition reissue of The Fame, Interscope later decided to release the eight new songs as a standalone EP in some territories. The decision was also because Gaga believed the re-release was too expensive and that the albums were conceptually different, describing them as yin and yang. The deluxe edition is a double album featuring the eight new songs on the first disc and The Fame on the second disc. A super deluxe edition with additional merchandise, including a lock from Gaga's wig, was released on December 15, 2009.

A pop album, The Fame Monster has influences of disco, glam rock, and synthpop music of the 1970s and 1980s, as well as industrial and gothic music. The album was also inspired by fashion shows and runways. According to Gaga, the album deals with the darker side of fame, with its theme lyrically expressed through a monster metaphor. The cover artwork, shot by Hedi Slimane, has a Gothic theme and was declined for release by her record company, but Gaga persuaded them.

The Fame Monster received generally positive reviews from music critics. The album charted as The Fame in some countries, and topped the charts in the United Kingdom, Australia, Austria, Belgium, Finland, Germany, Ireland, New Zealand, Poland, and Switzerland. In the United States, the EP reached number five on the Billboard 200 and topped the Dance/Electronic Albums chart. The album has won multiple awards since its release. It was nominated in a total of six categories at the 53rd Annual Grammy Awards, including Gaga's second consecutive Album of the Year nomination. It won three, including Best Pop Vocal Album.

'Bad Romance', the album's lead single, was a commercial success, topping the charts in more than twenty countries and reaching number two on the Billboard Hot 100 in the US. The next two singles, 'Telephone' and 'Alejandro', reached the top ten in multiple countries worldwide. 'Dance in the Dark' was released as a single only in select territories, achieving moderate chart success.

Download Lady Gaga - The Fame Monster (Deluxe Edition 2CD) torrent or any other torrent from the Audio Music. Direct download via magnet link.

  • 4Promotion
  • 10Personnel
  • 11Charts
Lady

Background and development

Gaga performing 'Monster' at The Monster Ball Tour. It was the first track written for The Fame Monster.

Gaga released her debut studio album, The Fame, in 2008. Consisting of electropop and synthpop songs, the album offered a commentary on fame, duality between celebrity and fan base, as well as wealthy person's life. After the worldwide success of The Fame, the idea of a re-release arose.[3] However, Gaga felt that re-releases were a disservice to music artists because 'it's artists sneaking singles onto an already finished piece of work in an effort to keep the album afloat.' Her label, Interscope Records, initially wanted three songs for the project, titled as The Fame Monster. Gaga had already composed a song, 'Monster', by March 2009.[4] She sought for a darker and edgier concept than she had previously done,[5] and cited her love of horror films and 'the decay of the celebrity and the way that fame is a monster in society' as creative inspirations for The Fame Monster.[6] Gaga explained in an interview with Daily Star:

I have an obsession with death and sex. Those two things are also the nexus of horror films, which I've been obsessing over lately. I’ve been watching horror movies and 1950s science fiction movies. My re-release is called The Fame Monster so I've just been sort of bulimically eating and regurgitating monster movies and all things scary. I've just been noticing a resurgence of this idea of monster, of fantasy, but in a very real way. If you notice in those films, there's always a juxtaposition of sex with death.[3]

Unlike her debut album, the new record was inspired by the singer's personal experiences.[3] The early musical direction was also shaped by Gaga's touring experiences with The Fame Ball Tour, during which she allegedly encountered 'several monsters' that encapsulated her biggest fears. These fears were divided into various monster metaphors, such as the 'Fear of Sex Monster', 'Fear of Love Monster', 'Fear of Alcohol Monster', and so forth. 'I spent a lot of nights in Eastern Europe,' the singer said. 'And this album is a pop experimentation with industrial/Goth beats, 90's dance melodies, an obsession with the lyrical genius of 80's melancholic pop, and the runway'.[7] In an interview with MTV News, Gaga said that The Fame and The Fame Monster were like yin and yang because of their contrasting styles and concepts.[5]

Themes and composition

The final cut of The Fame Monster contains eight tracks on the standard edition.[8] The record showcases Gaga's taste for pastiche, drawing on 'Seventies arena glam, perky ABBA disco, and sugary throwbacks like Stacey Q', according to Rolling Stone.[9]Neil McCormick from The Daily Telegraph felt that while not as thematically unified as its predecessor, The Fame Monster had engaging songs composed by virtue of Gaga's 'vivacious energy, bold melodies and almost comically relentless sensationalism'.[10] The lyrics contain zombie metaphors in songs like 'Monster' ('He ate my heart..'), the Cossack like music in 'Teeth' ('Take a bite of my bad-girl meat..') and 'Dance in the Dark' ('Silicone, saline, poison, inject me..'). The last of those lyrics also refer to famous people who met a tragic end: Marilyn Monroe, Judy Garland, Sylvia Plath, Princess Diana, Liberace and JonBenét Ramsey.[11][12] Recording sessions were held in Los Angeles, London, Osaka, and Amsterdam. Four of the songs were primarily produced by RedOne, with additional productions on the other songs by Ron Fair, Fernando Garibay, Tal Herzberg, Rodney 'Darkchild' Jerkins, Teddy Riley and Space Cowboy. Gaga was the co-producer on all the tracks.[8]

A 30 second sample of 'Bad Romance', which set the musical tone of The Fame Monster. The sample illustrates the chorus and the club beat, which forms the backbone of the track, as well as the 'rah-rah' hook repeated throughout the track.
Problems playing this file? See media help.

The Fame Monster begins with the track 'Bad Romance', which Simon Price from The Independent felt set the tone for the album. He added that the track contained a 'dominant atmosphere and a Gothic aesthetic, from the monochrome cover artwork of the single version to the crucifix logo'.[11] For Paul Lester from BBC, the refrain of 'Bad Romance' has sonic similarities to songs by Boney M, and the composition is reminiscent of Depeche Mode's fifth studio album, Black Celebration (1986).[13] A 'catchy' chorus and a club-like beat is the crux of the song, talking about how love hurts in both good and bad ways. There is a sing-along hook—'Rah, rah, ah, ah, ah/Roma, roma ma/Gaga, ooh la la'—present in between the verses.[14] Second track, 'Alejandro', incorporates elements from music of ABBA and Ace of Base, with the lyrics talking about Gaga fending off a harem of Latino men.[12] The lyrics were also interpreted as bidding farewell to a lover, accompanied by RedOne's production.[14] 'Monster' consists of stuttering synths and instrumentation from heavy drums.[15] The intro contains a double four-square beat and Auto-Tune on Gaga's vocals as she sings the lyrics with a Don Juan womanizer metaphor.[14]

The fourth track is the ballad 'Speechless', a 1970s rock-inspired number that discusses abusive relationships with lyrics like 'I can't believe how you slurred at me with your half-wired broken jaw'. It consists of vocal harmonies and guitar riffs, which according to PopMatters, is comparable to the work of Freddie Mercury and Queen.[15] Gaga's inspiration for the track was her father's heart condition. She recalls how her father used to call after having few drinks, but the singer was speechless in her response, fearing for his death.[16] Produced by Ron Fair, 'Speechless' was recorded with all live instruments such as drums, guitars, bass and piano played by Gaga.[17] The album's fifth track, 'Dance in the Dark', talks about a girl who likes to have sex with the lights off as she is ashamed of her body.[18] Gaga has 'resolute' vocals in the song, and the synths ultimately lead to the chorus where she belts, 'Baby loves to Dance in the Dark, 'Cause when he's looking she falls apart'.[19]

'Telephone' was originally written by Gaga for singer Britney Spears's sixth studio album, Circus (2008), but Spears' label rejected it.[20] Gaga later recorded it as a collaboration with Beyoncé for The Fame Monster.[21] The song talks about the singer preferring the dance floor rather than answering her lover's call, with the verses sung in a rapid-fire way, accompanied by double beats.[12] Gaga explained that the song deals with her fear of suffocation, 'fear [of] never being able to enjoy myself. 'Cause I love my work so much, I find it really hard to go out and have a good time.'[22] In 'So Happy I Could Die', Gaga presents an ode to sexual feeling and actions, stating, 'I love that lavender blonde, The way she moves the way she walks, I touch myself, can't get enough.' The object of affection in the track becomes Gaga herself[11] as she sings about drinking, dancing, observing, and touching herself, in a sedated, Auto-Tuned[13] voice.[12]The Fame Monster ends with the song 'Teeth', which has a gospel style composition.[12]

Release and artwork

French photographer Hedi Slimane shot the album covers

Gaga confirmed that the eight new songs would be released in North America as a standalone extended play (EP). She felt that The Fame Monster should be treated as her sophomore release and did not want to 'add, nor take away any songs from this EP. It is a complete conceptual and musical body of work that can stand on its own two feet'.[23] The EP was released in North America on November 23, 2009. The deluxe edition—a double album featuring the eight new songs on the first disc and The Fame on the second disc—was launched the same day. The limited edition, which included a lock of her wig, followed three weeks later. Interscope had planned to release only a double-disc deluxe edition of The Fame, but Gaga fought with the record label arguing that her fans who already purchased The Fame should be able to purchase only the new tracks. So in countries like United States, The Fame Monster was also released as a separate standard EP.[24] On May 3, 2010, The Fame Monster Limited Edition USB flash drive was released. It included the explicit version of the tracks, as well as nine remixes, eight music videos, a digital booklet, single cover artworks, and a photo gallery.[25]

Two covers were created for The Fame Monster, both of which were shot by French photographer Hedi Slimane. In the artwork of the standard edition, Gaga is seen sporting a blond wig and a sleek, angular black coat, the collar of which covers the lower half of her face.[26] The angular obscuring of her face was a reference to the similar cover art for The Fame, but was relegated as 'sleek' by Andrew Unterberger from Billboard. He added that 'there's a danger in Gaga's eyes this time out, and the feeling of greater depth in its austerity: A star, but one with a lot to say.'[27] The image of the deluxe version sees the singer draped in thick brown hair, her face embellished with heavy, streamy black eyeliner.[26]

Gaga initially had a dispute with her record label over the artwork; Interscope found the brunette cover to be too dark and gothic for a mainstream release. However, Gaga convinced them by explaining that both would be suitable with the yin and yang concept of the album.[17] The font used on the cover is the sans-serif letterform used by Christian Dior in their campaigns.[28]

Promotion

Performances

Gaga performing The Fame Monster's third single, 'Alejandro', during 'GagaKoh', in Tokyo, Japan

Promotion for The Fame Monster began with a performance on Saturday Night Live, which contained segments of a piano version of 'Bad Romance'.[29] Gaga also appeared on various talk shows, such as It's On with Alexa Chung and Germany's Wetten, dass.?.[30][31] On November 16, 2009, Gaga performed 'Speechless' at Los Angeles Museum of Contemporary Art's 30th Anniversary celebrations. Database management system by korth 5th edition pdf free download. She collaborated with artist Francesco Vezzolli and members of Russia's Bolshoi Ballet Academy.[32] Same day she performed 'Bad Romance' on CW's Gossip Girl, during an episode titled 'The Last Days of Disco Stick'.[33] Gaga also performed 'Bad Romance' at the 2009 American Music Awards, The Jay Leno Show, The Ellen DeGeneres Show and The X Factor UK.[34][35][36][37] She then performed 'Speechless' at the Royal Variety Performance.[38]

Gaga appeared on The Oprah Winfrey Show in January 2010, and performed a medley of 'Monster', 'Bad Romance', and 'Speechless'.[39] At the 52nd Grammy Awards, the singer opened the show by performing a medley of 'Poker Face', 'Speechless', and 'Your Song' with Elton John.[40] At the 2010 BRIT Awards, Gaga sang a ballad version of 'Telephone' and then 'Dance in the Dark', in memory of designer Alexander McQueen.[41] In March 2010, 'Bad Romance' and 'Monster' were added as downloadable content for the Rock Band video game series, along with 'Just Dance' and 'Poker Face' from The Fame.[42] Gaga appeared on Friday Night with Jonathan Ross, and sang 'Brown Eyes' (from The Fame) and 'Telephone'.[43] The next month, she held a mini-concert in Japan for MAC Cosmetics, collaborating with Canadian performance artist, Terence Koh. Billed as 'GagaKoh', the concert took place on a rotating stage where Koh had created a statue of a naked woman with rabbit ears. The singer performed 'Bad Romance', 'Alejandro' and 'Speechless' in the event.[44]

Singles

The album's lead single, 'Bad Romance', was released for digital download on October 27, 2009.[6] The song topped numerous record charts, as well as reaching a peak of number two in the United States, Australia, New Zealand, Belgium, and Switzerland,[45][46] ultimately selling 12 million copies worldwide.[47][48] The accompanying music video, featuring Gaga inside a surreal white bathhouse, garnered acclaim from critics, who praised the risqué and symbolic nature of the plot, as well as its artistic direction and vivid imagery.[49][50] In 2011, the music video was voted the best video of the 2000s (decade) by readers of Billboard.[51]

'Telephone' was released as the album's second single on January 26, 2010.[52] The track reached number one on the UK Singles Chart, becoming Gaga's second consecutive UK chart topper and fourth in total.[45] It peaked at number three on the Billboard Hot 100, making it her sixth consecutive single to reach the top ten.[53] 'Telephone' also reached number one on the Mainstream Top 40 chart, becoming Gaga's sixth consecutive number-one on the chart, tying with Mariah Carey for most number-ones since the chart's launch in 1992.[54] The music video is a continuation of the clip for Gaga's previous single, 'Paparazzi' (2010), with the plot showing Beyoncé bailing Gaga from jail and together going on a murder spree.[55]

'Dance in the Dark' was intended by Gaga's record label to be the third single. However, Gaga chose 'Alejandro' after a confrontation with her label and it was released on April 20, 2010.[56][57][58] 'Alejandro' reached the top five of the Australian and Canadian charts, as well as the top ten of the charts of other nations.[45] In the United States, it reached number five, becoming her seventh consecutive top ten single on the Billboard Hot 100.[46] 'Dance in the Dark' was then released as the fourth and final single from The Fame Monster in Australia, New Zealand, and France on July 26, 2010.[59] It had minor chart placements, reaching number 24 in Australia and number 30 on the French Digital Charts.[60]

The Monster Ball Tour

Gaga had initially planned to accompany rapper Kanye West on concert tour Fame Kills: Starring Kanye West and Lady Gaga.[61] After his controversy at the 2009 MTV Video Music Awards with Taylor Swift, West announced that he was taking a break from music. All the Fame Kills tour dates were immediately cancelled and Gaga confirmed that she was going on tour alone to promote The Fame Monster.[62] Described by Gaga as 'the first-ever pop electro opera', The Monster Ball Tour started from November 2009 and finished in May 2011.[63] Gaga and her production team initially developed a stage that looked like a frame with the show fitted within it. The singer felt that the design would allow her creative control.[17] Since the album dealt with the paranoias faced by Gaga over the year, the main theme of the show became evolution, with Gaga portraying growth as the show progressed. The set list consisted of songs from both The Fame and The Fame Monster.[64]

For the 2010 shows, Gaga felt that a revamp was needed as the original tour was constructed in a very short span of time. The new theme narrated a story where Gaga and her friends, traveling through New York, get lost while going to the Monster Ball.[65] The show was divided into five segments with the last one being the encore. Each segment featured Gaga in a new dress and was followed by a video interlude to the next one.[66] The tour grossed an estimated US$227.4 million from 200 reported shows attended by an audience of 2.5 million, making it the highest grossing trek by a debut headlining artist.[67] A tour special was filmed by HBO during Gaga's February 2011 shows at Madison Square Garden in New York City.[68]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?6.6/10[69]
Metacritic78/100[70]
Review scores
SourceRating
AllMusic[71]
The Daily Telegraph[10]
Los Angeles Times[72]
MSN Music (Consumer Guide)A–[73]
NME8/10[74]
The Observer[75]
Pitchfork7.8/10[2]
Rolling Stone[76]
Slant Magazine[12]
Spin6/10[77]

The Fame Monster received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, it received an average score of 78, based on 14 reviews.[70] Sal Cinquemani from Slant Magazine felt that the album was not a huge leap forward for Gaga, but provided 'small, if fleeting, glimpses behind the pretense.'[12]Simon Price of The Independent called it 'a whole new piece of art in its own right.'[11]Kitty Empire from The Observer said that the album is 'a lot more splendidly deranged' than the work of The Pussycat Dolls.[75]MSN Music's Robert Christgau found it to be of 'comparable quality' as The Fame and gave it a rating of A–, describing the tracks as 'streamlined pop machines'. Christgau further elaborated that 'after being overwhelmed by the sheer visibility of her warp-speed relaunch did I realize how enjoyable and inescapable her hooks and snatches had turned out to be.'[73]

NME's Emily MacKay described The Fame Monster 'as pristine as you'd expect, but has a sub-zero core of isolation and fear'. She went on to call the album's release as 'the moment Gaga cements herself as a real star'.[74] Evan Sawdey from PopMatters commended Gaga for being 'willing to try new things' and felt that the album shows 'she's not complacent with doing the same thing over again [..] Gaga is allowed to make a few mistakes on her way towards pop nirvana—and judging what she's aiming for with The Fame Monster, there's a good chance she's going to get there sooner than later.'[15] Mikael Woods from Los Angeles Times felt that The Fame Monster continued to demonstrate Gaga's creative ambition and stylistic range.[72]

Jon Dolan from Rolling Stone called the EP 'largely on point,' and gave it 3.5 stars out of 5. He also said that 'half the disc is Madonna knock-offs, but that's part of the concept—fame monsters needn't concern themselves with originality.'[76]Edna Gundersen from USA Today observed that on The Fame Monster, 'Gaga's icy aloofness and seeming aversion to a genuine human connection leave a disturbing void. With an avant-garde intellect, pop-electro eccentricities and freaky theatrics competing for attention, there's no room for heart.'[1][78]

Ed Power reviewed the album for Ireland's Hot Press magazine where he complimented Gaga's ability to 'always brings her A-game' in her musical outputs.[79] Neil McCormick from The Daily Telegraph commented that the album has 'an irrepressible quality that is given full rein. [..] Although not as thematically integrated as the original [The Fame], Gaga's vivacious energy, bold melodies and almost comically relentless sensationalism keeps things interesting.'[10] Josh Modell of Spin gave positive feedback regarding the fast-paced songs on the record, but felt that 'When Gaga reaches for sincere balladry [..] she sounds lost'.[77] Writing for The Times, Sarah Hajibagheri criticized the album due to its 'lack [of] the beat and bite that made us all go Gaga for the eccentric New Yorker'.[80]

Commercial performance

Gaga performing 'Bad Romance' during the original version of The Monster Ball Tour. The song became one of Gaga's most successful singles to date.

In the United States, the individual disc of The Fame Monster charted at number five on the Billboard 200 with sales of 174,000 copies while the double disc deluxe edition, including the original The Fame, moved up from number 34 to number 6 with sales of 151,000 copies.[81] The album also topped the Digital Albums chart with sales of 65,000. Seven of the eight songs from the record also charted on the Hot Digital Songs chart, led by 'Bad Romance' which held the top position for the second week with sales of 218,000 copies. In total Gaga had 11 songs that week charting on the Digital Songs.[82]The Fame Monster topped the Dance/Electronic Albums chart, replacing The Fame and becoming Gaga's second number one album on the chart.[83]

In January 2010, the album was certified platinum by the Recording Industry Association of America (RIAA) for shipment of a million copies.[84] As of February 2018, The Fame Monster has sold 1.65 million copies in the United States, according to Nielsen Soundscan.[85] For the 2010 Billboard year end tabulation, The Fame Monster was ranked at number 13 on the Billboard 200 and number two on the Dance/Electronic Albums chart.[86][87] In Canada, the album debuted and peaked at number six on the BillboardCanadian Albums Chart.[88] It was the 23rd best selling album in the country for 2010.[89]

In Australia, The Fame Monster initially charted with The Fame, but was later considered as a standalone entry. It debuted at number 6 on the ARIA Albums Chart and in its 18th week, the record climbed to number one.[90] It received a triple platinum certification by the Australian Recording Industry Association (ARIA) for shipments of 210,000 copies of the album.[91] In Japan, after being present on the Oricon Albums Chart for over 20 weeks, the album reached its peak position of number two in May 2010.[92] By July 2011, the album had sold 548,000 copies in Japan and ranked at number 14 on the year end list for 2010.[93][94]

In the United Kingdom, The Fame Monster was only available as a deluxe edition, not as a stand-alone album, hence it charted as part of The Fame. In its debut week, the record moved from number 55 to number 7 on the UK Albums Chart.[95] All the new tracks from The Fame Monster charted within the top 200 of the UK Singles Chart.[96] On the week ending March 6, 2010, The Fame reached the top of the chart.[95]The Fame Monster also charted with The Fame in Denmark, Ireland and Germany; it reached the top of the charts in the last two territories.[97][98] Due to its chart activity across the European markets, The Fame Monster peaked at number 13 on the European Top 100 Albums chart.[99] It was certified triple platinum by the International Federation of the Phonographic Industry (IFPI) for shipment of three million copies across the continent.[100]

Recognition

In 2010, Gaga won the 'Outstanding Music Artist' award for The Fame Monster, during the 21st GLAAD Media Awards.[101] The album and its songs were nominated in six categories at the 53rd Annual Grammy Awards. The Fame Monster was nominated for Album of the Year and won Best Pop Vocal Album.[102][103] 'Bad Romance' won for Best Female Pop Vocal Performance and Best Short Form Music Video, while 'Telephone' and 'Dance in the Dark' were nominated for Best Pop Collaboration with Vocals and Best Dance Recording, respectively.[102][104]

The album earned Best Album nominations at the 2010 International Dance Music Award and the Meteor Awards.[105][106] It won the Best English Album at the Premios Oye! 2010 awards in Mexico.[107] At the 2011 Billboard Music Awards, it earned an entry in the category for Top Electronic/Dance Album.[108]

Time magazine listed The Fame Monster in their 'Top 10 Albums of 2009' list, noting that it demonstrates 'a complete understanding of what dance audiences require and vocal talent that's easy to forget underneath all that platinum hair.'[109]Spin ranked the album at number 197 on their list of 'The 300 Best Albums of the Past 30 Years' and characterized it as Gaga's magnum opus and a 'mini-masterpiece'.[110]

In 2012, Complex listed it at rank six on their countdown of The 50 Best Pop Album Covers of the Past Five Years. Dale Eisenger from the publication called both covers as 'alluring and gorgeous', adding that Gaga's look was followed by a number of artists emulating it in later years.[111] In 2015, Billboard included the standard album cover on their list of the '50 Greatest Album Covers of All Time'.[112] Andrew Unterberger from the publication wrote in a 2016 article that the cover arts were 'much starker and more angular than the party-diva framing of [The Fame]. It's still very sleek, but there's a danger in Gaga's eyes this time out, and the feeling of greater depth in its austerity: A star, but one with a lot to say.'[113] In November 2016, Billboard named The Fame Monster Gaga's best album.[114]

Impact

With the release of The Fame and The Fame Monster, Gaga revived electronic dance music during the late 2000s on radio. Jonathan Bogart from The Atlantic stated, 'EDM came in by no back door but right through the front gate, with Lady Gaga's 'Just Dance' in late 2008' and that 'the sound didn't take long to spread'.[115] DJ Tommie Sunshine told MTV that 'there wouldn't be a David Guetta top 10 hit.. there wouldn't be this Black Eyed Peasrecord, if it wasn't for The Fame. The influence of that record is epic, and we are hearing talking about all of this because of that.'[116]St. Louis Post-Dispatch's journalist Kevin C. Johnson with his article 'Lady Gaga helps bring EDM to the masses', acknowledges the impact. In the article, Rob Lemon said Gaga 'definitely has had influence' and that she 'is exposing people to the music, and anybody exposing people to it is part of the machine.'[117] Radio personality Zane Lowe and record producer and DJ, Calvin Harris, address the impact of the album in a Beats 1 radio interview. Lowe states: 'Mike Skinner told me this, cause we were having a debate about Lady Gaga and he was like 'One thing you gotta remember about Lady Gaga, she put four-on-the-floor back on American radio' and that 'up until that moment there was nothing resembling four-on-the-floor in pop music.' Harris adds: 'A 100%. They even had a hip-hop version of Poker Face, for radio' and that 'it was the 4/4 one that hit, and then it just went ridiculous.'[118]

The impact of The Fame Monster was observed in the subsequent musical releases of artists such as Beyoncé and Katy Perry.

Lady Gaga The Fame Monster Deluxe Edition Torrent

Andrew Unterberger of Billboard stated that 'Gaga raised the standards for ambition in pop.' Unterberger said that 'it didn't take long for Lady Gaga to prove that she was the asteroid pop music was begging to have crash through it.' He further stated that 'other pop stars have picked up the slack', concluding that Gaga 'took American mainstream music at one of its least-interesting and most star-power-deprived moments and made it bigger, weirder, more visual and infinitely more personality-driven – in other words, much more fun.'[119]

Critics acknowledged that with The Fame Monster, Gaga started a trend in pop music with wearing bizarre and outrageous outfits. Page Six's Jarett Wieselman stated: 'I've repeatedly hypothesized that the success and adoration bestowed upon Lady Gaga has led every female celebrity to assume that whether or not she cultivates a quirky personality, her options for fashion forwardness are limitless!' He also said that 'the 'Lady Gaga' effect persists'.[120] Tracie Egan Morrissey from Jezebel, said that 2011 MTV Video Music Awards's red carpet 'reeks of Lady Gaga's influence' and that 'ever since Lady Gaga came on the scene with her bizarre masks, tall hats and concept outfits, everyone thinks looking like an idiot on the red carpet is a sign of artistic integrity.' She continues: 'Nicki Minaj has a horrible case of Gaga-itis' and that Katy Perry's 'cube on her head is totally her attempt at being avant fashion-y.'[121]

Jon Caramanica from The New York Times in his article 'Girl Pop’s Lady Gaga Makeover' states: 'It's Halloween-costume empowerment, sure, but her fingerprints are all over the revised images of Christina Aguilera, Rihanna, Katy Perry and Beyoncé; and on new artists like Kesha, Janelle Monáe and Nicki Minaj' and that 'the work she’s done since her 2008 debut album [..] has nudged loose conventional boundaries.' He then continued by saying that 'If Lady Gaga has had direct impact on anyone, it's been, most surprisingly, Beyoncé, who has spent the majority of her career impervious to influence from her peers. Yet in the last year, in the wake of a pair of collaborations with Lady Gaga — 'Telephone' and 'Video Phone' — she appears to have come alive. The videos for those songs showed her to be far more humorous than ever before' and 'it’s as if Lady Gaga swooped in and infected Beyoncé with a bug, a vampiric chain of events.'[122]

Track listing

The Fame Monster– Deluxe edition (disc one)[123] / EP standard edition[124]
No.TitleWriter(s)Producer(s)Length
1.'Bad Romance'
  • RedOne
  • Gaga[a]
4:54
2.'Alejandro'
  • RedOne
  • Gaga[a]
4:34
3.'Monster'
  • RedOne
  • Gaga[a]
4:10
4.'Speechless'Gaga4:31
5.'Dance in the Dark'
  • Gaga
4:49
6.'Telephone' (featuring Beyoncé)
  • Gaga
  • Lazonate Franklin
  • Beyoncé
3:41
7.'So Happy I Could Die'
  • Gaga
  • RedOne
  • Space Cowboy
3:55
8.'Teeth'
  • Gaga
  • Taja Riley
  • Pete Wyoming Bender[b]
  • Teddy Riley[b]
3:41
Total length:34:09
The Fame Monster– iTunes Store edition (bonus track)[125]
No.TitleWriter(s)Remixer(s)Length
9.'Bad Romance' (Starsmith Remix)
  • RedOne
  • Gaga
Starsmith4:56
Total length:39:05
The Fame Monster– USB edition (bonus tracks)[126]
No.TitleWriter(s)Remixer(s)Length
9.'Bad Romance' (Starsmith Remix)Starsmith4:56
10.'Telephone' (Passion Pit Remix) (featuring Beyoncé)
  • Gaga
  • Jerkins
  • Daniels
  • Franklin
  • Beyoncé
Passion Pit5:13
11.'Paparazzi' (Demolition Crew Remix)Demolition Crew3:54
12.'Just Dance' (Deewaan Remix) (featuring Ashking, Wedis, Lush and Young Thoro)
  • Gaga
  • RedOne
Deewaan4:17
13.'LoveGame' (Robots to Mars Remix)Robots to Mars3:14
14.'Eh, Eh (Nothing Else I Can Say)' (Frankmusik Remix)
  • Gaga
Frankmusik3:48
15.'Poker Face (Piano & Voice Version)' (Live at The Cherrytree House)Kierszenbaum3:38
16.'Bad Romance' (Grum Remix)
  • RedOne
  • Gaga
Grum4:51
17.'Telephone' (Alphabeat Remix) (featuring Beyoncé)Alphabeat5:13
Total length:73:19
The Fame Monster– Deluxe edition (disc two)[123]
No.TitleWriter(s)Producer(s)Length
1.'Just Dance' (featuring Colby O'Donis)
  • Gaga
  • RedOne
RedOne4:02
2.'LoveGame'RedOne3:36
3.'Paparazzi'
  • Gaga
3:28
4.'Poker Face'
  • Gaga
  • RedOne
RedOne3:57
5.'Eh, Eh (Nothing Else I Can Say)'Kierszenbaum2:55
6.'Beautiful, Dirty, Rich'
  • Gaga
  • Fusari
Fusari2:52
7.'The Fame'Kierszenbaum3:42
8.'Money Honey'
  • Gaga
  • RedOne
  • Bilal Hajji
RedOne2:50
9.'Starstruck' (featuring Space Cowboy and Flo Rida)
  • Kierszenbaum
  • Space Cowboy
3:37
10.'Boys Boys Boys'RedOne3:20
11.'Paper Gangsta'
  • Gaga
  • RedOne
RedOne4:23
12.'Brown Eyes'
  • Fusari
  • Gaga[a]
4:03
13.'I Like It Rough'Kierszenbaum3:22
14.'Summerboy'
  • Gaga
  • Brian Kierulf
  • Josh Schwartz
Brian & Josh4:13
Total length:50:20
The Fame Monster– International edition (disc two)[127]
No.TitleWriter(s)Producer(s)Length
1.'Just Dance' (featuring Colby O'Donis)RedOne4:02
2.'LoveGame'
  • Gaga
  • RedOne
RedOne3:39
3.'Paparazzi'
  • Fusari
  • Gaga[a]
3:30
4.'Poker Face'RedOne3:59
5.'I Like It Rough'
  • Gaga
  • Kierszenbaum
Kierszenbaum3:24
6.'Eh, Eh (Nothing Else I Can Say)'Kierszenbaum2:57
7.'Starstruck' (featuring Space Cowboy and Flo Rida)
  • Gaga
  • Kierszenbaum, Dresti, Dillard
Kierszenbaum, Space Cowboy3:39
8.'Beautiful, Dirty, Rich'Fusari2:53
9.'The Fame'
  • Gaga
  • Kierszenbaum
Kierszenbaum3:43
10.'Money Honey'RedOne2:52
11.'Boys Boys Boys'
  • Gaga
  • RedOne
RedOne3:22
12.'Paper Gangsta'RedOne4:25
13.'Brown Eyes'
  • Gaga
  • Fusari
4:05
14.'Summerboy'
  • Gaga
  • Kierulf
  • Schwartz
Brian & Josh4:14
15.'Disco Heaven'Fusari3:41
16.'Retro Dance Freak'
  • Gaga
  • Fusari
Fusari3:23
Total length:57:42
The Fame Monster– UK edition (bonus track)[128]
No.TitleWriter(s)Producer(s)Length
16.'Again Again'Fusari3:05
Total length:57:24
The Fame Monster– Japanese limited edition (bonus tracks)[129]
No.TitleWriter(s)Producer(s)Length
16.'Again Again'
  • Gaga
  • Fusari
Fusari3:05
17.'Retro Dance Freak'Fusari3:23
Total length:1:00:47
The Fame Monster– Japanese edition (bonus DVD)[130]
No.TitleLength
1.'Bad Romance' (music video)5:15
2.'Bad Romance' (behind the scenes)3:42
Notes
  • ^a signifies a co-producer
  • ^b While Bender and Teddy Riley are not credited as songwriters of 'Teeth' in the album liner notes, they are listed as songwriters by Broadcast Music, Inc. (BMI).[131]

Personnel

Gaga

Credits adapted from the liner notes of The Fame Monster.[132]

Musicians

  • Lady Gaga – vocals (all tracks); vocal arrangement, background vocals (tracks 1–3, 7); piano (track 4); additional instrumentation, arrangement (track 5); all instruments, programming (track 7)
  • RedOne – all instruments, programming, vocal arrangement, background vocals (tracks 1–3, 7)
  • Space Cowboy – background vocals (track 3); all instruments, programming (track 7)
  • Ron Fair – arrangement, conducting (track 4)
  • Abraham Laboriel Jr. – drums (track 4)
  • Tal Herzberg – bass (track 4)
  • John Goux – all guitars (track 4)
  • Fernando Garibay – instrumentation, programming, arrangement (track 5)
  • Beyoncé – vocals (track 6)
  • Rodney 'Darkchild' Jerkins – all music (track 6)
  • The Regiment Horns – horn (track 8)
  • Eric Jackson – guitars (track 8)
  • Teyonie – background vocals (track 8)
  • Stacy Dulan – background vocals (track 8)

Technical

  • RedOne – production, vocal editing, recording, engineering (tracks 1–3, 7)
  • Lady Gaga – co-production (tracks 1–6, 8); production (track 7)
  • Johnny Severin – vocal editing (tracks 1–3, 7); engineering (tracks 3, 7)
  • Dave Russell – engineering (tracks 1, 3, 7); tracking engineering, mixing (track 8)
  • Eelco Bakker – engineering (tracks 1, 2)
  • Mark 'Spike' Stent – mixing (tracks 1, 6)
  • Matty Green – mixing assistance (tracks 1, 6)
  • Robert Orton – mixing (tracks 2, 3, 5, 7)
  • Space Cowboy – recording (track 3); production (track 7)
  • Ron Fair – production (track 4)
  • Tal Herzberg – co-production, recording engineering (track 4)
  • Jack Joseph Puig – mixing (track 4)
  • Frank Wolff – recording engineering (track 4)
  • Ryan Kennedy – engineering assistance (track 4)
  • Tal Oz – engineering assistance (track 4)
  • Joe Cory – engineering assistance (track 4)
  • Fernando Garibay – production (track 5)
  • Jonas Wetling – recording engineering, tracking engineering (track 5)
  • Dan Parry – recording engineering, tracking engineering (track 5)
  • Christian Delano – recording engineering, tracking engineering (track 5)
  • Rodney 'Darkchild' Jerkins – production, mixing (track 6)
  • Paul Foley – recording (track 6)
  • Mike 'Handz' Donaldson – recording (Lady Gaga's vocals), additional vocal production, special effects (track 6)
  • Hisashi Mizoguchi – recording (Beyoncé's vocals) (track 6)
  • Takayuki Matsushima – recording assistance (Beyoncé's vocals) (track 6)
  • Teddy Riley – production, mixing (track 8)
  • Mike Daly – mixing assistance (track 8)
  • Vincent Herbert – executive production
  • Lisa Einhorn Gilder – production coordination
  • Andrea Ruffalo – production coordination
  • Gretchen Anderson – production

Artwork

  • Julian Peploe Studio – art direction
  • Hedi Slimane – photography

Charts

Weekly charts

Chart (2009)Peak
position
Australian Albums (ARIA)[90]1
Austrian Albums (Ö3 Austria)[133]
as The Fame		1
Belgian Albums (Ultratop Flanders)[97]1
Belgian Albums (Ultratop Wallonia)[134]5
Brazilian Albums (ABPD)[135]3
Canadian Albums (Billboard)[136]6
Croatian International Albums (HDU)[137]1
Czech Albums (ČNS IFPI)[138]3
Danish Albums (Hitlisten)[139]2
Dutch Albums (Album Top 100)[140]4
European Top 100 Albums (Billboard)[99]13
Finnish Albums (Suomen virallinen lista)[141]1
French Albums (SNEP)[142]13
German Albums (Offizielle Top 100)[98]
as The Fame		1
Greek Albums (IFPI)[143]37
Hungarian Albums (MAHASZ)[144]2
Irish Albums (IRMA)[145]
as The Fame		1
Italian Albums (FIMI)[146]2
Japanese Albums (Oricon)[92]2
Mexican Albums (Top 100 Mexico)[147]
as The Fame		2
New Zealand Albums (RMNZ)[148]1
Norwegian Albums (VG-lista)[149]8
Polish Albums (ZPAV)[150]1
Russian Albums (2M)[151]3
Spanish Albums (PROMUSICAE)[152]
as The Fame		3
Swedish Albums (Sverigetopplistan)[153]2
Swiss Albums (Schweizer Hitparade)[154]
as The Fame		1
UK Albums (OCC)[95]
as The Fame		1
US Billboard 200[155]5
US Top Dance/Electronic Albums (Billboard)[156]1

Monthly charts

Chart (2011)Peak
position
Argentinian Albums (CAPIF)[157]8

Year-end charts

Chart (2009)Position
Australian Albums (ARIA)[158]59
Australian Dance Albums (ARIA)[159]9
Danish Albums (Hitlisten)[160]28
Finnish Albums (Suomen virallinen lista)[161]15
German Albums (Offizielle Top 100)[162]4
Irish Albums (IRMA)[163]3
Swedish Albums (Sverigetopplistan)[164]90
Chart (2010)Position
Australian Albums (ARIA)[165]6
Australian Dance Albums (ARIA)[166]1
Belgian Albums (Ultratop Flanders)[167]6
Belgian Albums (Ultratop Wallonia)[168]13
Canadian Albums (Billboard)[89]23
Danish Albums (Hitlisten)[169]10
Dutch Albums (MegaCharts)[170]10
European Top 100 Album (Billboard)[171]16
Finnish Albums (Suomen virallinen lista)[172]4
French Albums (SNEP)[173]6
German Albums (Offizielle Top 100)[174]3
Italian Albums (FIMI)[175]8
Japanese Albums (Oricon)[94]14
US Billboard 200[86]13
US Dance/Electronic Albums (Billboard)[87]2
Chart (2011)Position
Australian Albums (ARIA)[176]99
Australian Dance Albums (ARIA)[177]15
Japanese Albums (Oricon)[178]44
Swedish Albums (Sverigetopplistan)[179]93
US Dance/Electronic Albums (Billboard)[180]8
Chart (2012)Position
Australian Dance Albums (ARIA)[181]45
Chart (2017)Position
Australian Dance Albums (ARIA)[182]35
Chart (2018)Position
Australian Dance Albums (ARIA)[183]14

Certification and sales

RegionCertificationCertified units/Sales
Australia (ARIA)[91]3× Platinum210,000^
Belgium (BEA)[184]2× Platinum60,000*
Brazil (Pro-Música Brasil)[185]2× Platinum120,000*
Denmark (IFPI Denmark)[186]2× Platinum60,000^
Finland (Musiikkituottajat)[188]Platinum32,922[187]
France (SNEP)[189]2× Platinum200,000*
Greece (IFPI Greece)[190]Platinum6,000^
Italy (FIMI)[191]2× Platinum120,000*
Japan (RIAJ)[192]2× Platinum548,000[93]
Netherlands (NVPI)[193]2× Platinum120,000^
Norway (IFPI Norway)[194]Platinum30,000*
Poland (ZPAV)[195]Diamond100,000*
Russia (NFPF)[196]4× Platinum80,000*
Sweden (GLF)[197]Platinum40,000^
United States (RIAA)[84]Platinum1,650,000[85]
Summaries
Europe (IFPI)[100]3× Platinum3,000,000*
GCC (IFPI Middle East)[198]Gold3,000*

*sales figures based on certification alone
^shipments figures based on certification alone

Release history

RegionDateFormatLabelEdition(s)Ref.
JapanNovember 18, 2009CD, digital downloadUniversal MusicDeluxe[199]
Italy[200]
AustraliaNovember 20, 2009Deluxe, Limited[201]
ChileStandard, Deluxe[200]
Germany[200]
IrelandDeluxe[200]
United StatesNovember 23, 2009Interscope, Streamline, Kon Live, Cherrytree[202]
United KingdomPolydor[202]
CanadaUniversal Music[202]
Argentina[203]
BrazilNovember 27, 2009[204]
United StatesNovember 28, 2009Interscope, Streamline, Cherrytree[202]
CanadaDecember 1, 2009CDUniversal Music, InterscopeStandard[205]
ColombiaDecember 4, 2009[206]
United StatesDecember 15, 2009Box-setInterscope, Streamline, Kon Live, CherrytreeSuper Deluxe[207]
LPStandard[202]
AustraliaDecember 18, 2009Digital downloadUniversal MusicStandard (Explicit version)[208]
United StatesJanuary 26, 2010Interscope, Streamline, Kon Live, Cherrytree[209]
ChinaFebruary 1, 2010CDUniversal MusicStandard[210]
JapanApril 16, 2010CD + DVDUniversal MusicStandard (Explicit Version)[210]
WorldwideMay 3, 2010USB DriveInterscope, Streamline, Kon Live, CherrytreeLimited (Explicit Version)[25]
ItalyJune 8, 2010CDUniversal MusicLimited Slipcase[211]
GermanyOctober 22, 2010CDStandard (Explicit Version)[212]
[213]
November 20, 2010Digital download[212]

See also

Edition

References

  1. ^ abGundersen, Edna (November 23, 2009). 'Lady Gaga's 'Fame Monster' is so cool, it's cold'. USA Today. Archived from the original on March 3, 2011. Retrieved November 24, 2009.
  2. ^ abPlagenhoef, Scott (January 13, 2009). 'Album review: Lady Gaga – The Fame Monster'. Pitchfork. Archived from the original on February 14, 2016. Retrieved January 14, 2009.
  3. ^ abcGray II, Richard (2012). The Performance Identities of Lady Gaga: Critical Essays. McFarland & Company. p. 5. ISBN9780786492527.
  4. ^Carpenter, Ellen (October 1, 2009). 'Lady Gaga Unleashes 'Monster' With Dr. Dre: Headphones First, Song Next?'. Rolling Stone. Archived from the original on April 4, 2015. Retrieved March 23, 2015.
  5. ^ abVena, Jocelyn; Calloway, Sway (November 23, 2009). 'Lady Gaga Gets 'Dark' On The Fame Monster'. MTV News. Archived from the original on February 16, 2015. Retrieved November 24, 2009.
  6. ^ abHarding, Cortney (October 1, 2009). 'Lady Gaga: First Lady'. Billboard. Archived from the original on May 24, 2013. Retrieved October 8, 2009.
  7. ^'Lady Gaga Returns With 8 New Songs on The Fame Monster'. PR Newswire (Press release). October 8, 2009. Archived from the original on October 11, 2009. Retrieved October 9, 2009.
  8. ^ abThe Fame Monster (booklet). Lady Gaga (deluxe ed.). Santa Monica, California: Interscope Records. 2009. B0013872-02.CS1 maint: others (link)
  9. ^'Lady Gaga: Album Guide'. Rolling Stone. Archived from the original on November 27, 2013. Retrieved May 1, 2016.
  10. ^ abcMcCormick, Neil (November 27, 2009). 'Lady GaGa: The Fame Monster, CD review'. The Daily Telegraph. Archived from the original on November 30, 2009. Retrieved November 30, 2009.
  11. ^ abcdPrice, Simon (November 22, 2009). 'Album: Lady Gaga, The Fame Monster (Polydor)'. The Independent. Archived from the original on November 24, 2009. Retrieved November 23, 2009.
  12. ^ abcdefgCinquemani, Sal (November 18, 2009). 'Lady Gaga: The Fame Monster'. Slant Magazine. Archived from the original on August 28, 2013. Retrieved November 19, 2009.
  13. ^ abLester, Paul (November 20, 2009). 'Lady Gaga The Fame Monster Review'. BBC Music. Archived from the original on November 26, 2009. Retrieved November 23, 2009.
  14. ^ abc'The Ultimate Ranking of Lady Gaga's Catalog'. Rolling Stone. May 25, 2011. Archived from the original on September 24, 2016. Retrieved December 22, 2016.
  15. ^ abcSawdey, Evan (November 23, 2009). 'Lady Gaga: The Fame Monster < Reviews'. PopMatters. Archived from the original on November 26, 2009. Retrieved November 23, 2009.
  16. ^Vena, Jocelyn (November 23, 2009). 'Lady Gaga Says She Wrote 'Speechless' As 'Plea' To Father'. MTV News. Archived from the original on July 11, 2014. Retrieved November 24, 2009.
  17. ^ abcHiatt, Brian (October 21, 2009). 'Inside The Monster Ball: Lady Gaga Reveals Plans for Ambitious New Tour'. Rolling Stone. Archived from the original on September 24, 2015. Retrieved March 23, 2015.
  18. ^Ditzian, Eric (December 16, 2009). 'Lady Gaga Explains Real Meaning Of 'Dance In The Dark''. MTV News. Archived from the original on November 24, 2014. Retrieved December 18, 2009.
  19. ^'Lady GaGa – Dance In The Dark, New Album'. Pretty Much Amazing. November 9, 2009. Archived from the original on December 30, 2016. Retrieved December 22, 2016.
  20. ^Lipshutz, Jason (February 28, 2013). '20 Hit Songs Meant For Other Singers'. Billboard. Archived from the original on March 1, 2013. Retrieved March 1, 2013.
  21. ^Greenblatt, Leah (November 16, 2009). 'New Lady Gaga, 'Telephone': Stream It Here'. Entertainment Weekly. Archived from the original on February 16, 2015. Retrieved December 1, 2009.
  22. ^Vena, Jocelyn; Calloway; Sway (November 25, 2009). 'Lady Gaga Explains Inspiration Behind Beyonce Collabo, 'Telephone''. MTV News. Archived from the original on February 16, 2015. Retrieved November 30, 2009.
  23. ^Vena, Jocelyn (November 13, 2009). 'Lady Gaga Is 'Honoring' Fans With Cheaper Fame Monster'. Archived from the original on February 16, 2015. Retrieved November 13, 2009.
  24. ^Dinh, James (November 10, 2009). 'Lady Gaga's Fame Monster: New Songs To Be Released On Single CD'. MTV News. Archived from the original on February 16, 2015. Retrieved November 10, 2009.
  25. ^ ab'The Fame Monster Limited Edition USB Drive'. LadyGaga.com. April 21, 2010. Archived from the original on July 13, 2011. Retrieved April 22, 2010.
  26. ^ abEisinger, Dale (November 8, 2013). 'The 50 Best Pop Album Covers of the Past Five Years'. Complex. Archived from the original on December 31, 2016. Retrieved October 13, 2015.
  27. ^Unterberger, Andrew (October 11, 2016). 'Pop Art: Tracing Lady Gaga's Evolution Through Her Album Covers'. Billboard. Archived from the original on July 18, 2017. Retrieved December 19, 2017.
  28. ^Eisenger, Dale (August 8, 2013). 'A History of Hedi Slimane's Photography Collaborations with Musicians'. Complex. Archived from the original on December 30, 2016. Retrieved December 21, 2016.
  29. ^Ganz, Caryn (October 5, 2009). 'Lady Gaga Fights Madonna, Debuts 'Bad Romance' on 'Saturday Night Live''. Rolling Stone. Archived from the original on June 8, 2017. Retrieved December 27, 2016.
  30. ^Anitai, Tamar (November 3, 2009). 'Lady Gaga On MTV's 'It's On With Alexa Chung''. MTV News. Archived from the original on July 9, 2017. Retrieved December 27, 2016.
  31. ^'Lady Langweilig?' [Lady Boring?]. Glamour (in German). November 6, 2009. Archived from the original on January 1, 2017. Retrieved December 27, 2016.
  32. ^Vena, Jocelyn; Vaca, Damien; Elias, Matt (November 16, 2009). 'Lady Gaga Is 'Fantastic Creature,' Say Fellow Celebs'. MTV News. Archived from the original on July 25, 2015. Retrieved November 18, 2009.
  33. ^Vena, Jocelyn (November 17, 2009). 'Lady Gaga Performs 'Bad Romance' In 'Gossip Girl' Cameo'. MTV News. Archived from the original on December 26, 2014. Retrieved November 19, 2009.
  34. ^Kung, Michelle (November 22, 2009). 'American Music Awards 2009: Adam Lambert, Lady Gaga Dazzle'. The Wall Street Journal. Archived from the original on November 24, 2009. Retrieved November 23, 2009.
  35. ^Dinh, James (November 24, 2009). 'Lady Gaga Brings S&M 'Bad Romance' To 'Jay Leno Show''. MTV News. Archived from the original on December 26, 2014. Retrieved November 25, 2009.
  36. ^Vena, Jocelyn (November 25, 2009). 'Lady Gaga Tells Fans 'It's OK' To Be A Freak'. MTV News. Archived from the original on March 6, 2016. Retrieved November 30, 2009.
  37. ^Nathan, Sara (December 7, 2009). 'X Factor: Lady Gaga sings live from a giant bath as diva Janet Jackson insists on doing pre–recorded performance'. Daily Mail. Archived from the original on June 30, 2012. Retrieved February 29, 2016.
  38. ^'Lady Gaga meets the Queen at the Royal Variety Performance in Blackpool'. The Daily Telegraph. December 7, 2009. Archived from the original on October 7, 2016. Retrieved March 3, 2016.
  39. ^'Lady Gaga Performs on 'Oprah,' Pledges Support to Haiti'. Billboard. January 15, 2010. Archived from the original on June 22, 2013. Retrieved February 3, 2010.
  40. ^Smith, Elizabeth (February 1, 2010). 'Elton John gets dirty with Lady Gaga as they duet at the Grammys'. Daily Mail. Archived from the original on June 30, 2012. Retrieved February 3, 2010.
  41. ^Sexton, Paul (February 17, 2010). 'Lady Gaga Honors Alexander McQueen at Brit Awards'. Billboard. Archived from the original on January 8, 2014. Retrieved February 17, 2010.
  42. ^'Lady Gaga Makes Her Debut On Rock Band With A Hot Four Pack!'. IGN. March 9, 2010. Archived from the original on December 30, 2016. Retrieved September 5, 2010.
  43. ^'Jonathan Ross welcomes Lady Gaga to Friday night show' (Press release). BBC. March 3, 2010. Archived from the original on October 1, 2016. Retrieved February 29, 2016.
  44. ^'Tokyo goes gaga for Lady Gaga – and charity'. CNN. April 22, 2010. Archived from the original on August 6, 2016. Retrieved December 27, 2016.
  45. ^ abc'Discography Lady Gaga'. australian-charts.com. Archived from the original on June 30, 2010. Retrieved July 19, 2010.Click on 'Bad Romance', 'Telephone', 'Alejandro', 'Dance in the Dark' to see chart peaks
  46. ^ ab'Lady Gaga: Artist Chart History: The Hot 100'. Billboard. Archived from the original on May 11, 2015. Retrieved May 31, 2010.
  47. ^'IFPI publishes Digital Music Report 2011'. International Federation of the Phonographic Industry. January 20, 2011. Archived from the original on October 6, 2014. Retrieved January 20, 2011.
  48. ^Stern, Bradley (November 18, 2014). 'Lady Gaga's 'The Fame Monster' Turns 5: Stan & Deliver'. Idolator. Archived from the original on November 21, 2014. Retrieved November 18, 2014.
  49. ^Stack, Tim (November 11, 2009). 'Lady Gaga's new 'Bad Romance' video: Her best yet?!'. Entertainment Weekly. Archived from the original on December 30, 2016. Retrieved November 11, 2009.
  50. ^Martens, Todd (November 9, 2009). 'You want this drama: Lady Gaga's 'Bad Romance' video'. Los Angeles Times. Archived from the original on April 29, 2012. Retrieved November 27, 2011.
  51. ^Mapes, Jillian (July 27, 2011). 'The 10 Best '00s Music Videos: Poll Results'. Billboard. Archived from the original on February 14, 2013. Retrieved November 27, 2011.
  52. ^'ARIA Chartifacts: Week Commencing: November 30, 2009 Issue #1031'(PDF). Pandora Archive. November 30, 2009. Archived(PDF) from the original on July 3, 2012. Retrieved December 2, 2009.
  53. ^Pietrolungo, Silvio (March 17, 2010). 'Rihanna's 'Rude Boy' rules Hot 100'. Billboard. Archived from the original on July 2, 2014. Retrieved March 18, 2010.
  54. ^Trust, Gary (March 15, 2010). 'Lady Gaga, Beyonce Match Mariah's Record'. Billboard. Archived from the original on July 2, 2013. Retrieved March 18, 2010.
  55. ^Ganz, Caryn (March 11, 2010). 'Lady Gaga and Beyoncé Unleash Orgy of Sex, Violence, Product Placement in 'Telephone' Video'. Rolling Stone. Archived from the original on January 8, 2011. Retrieved March 14, 2010.
  56. ^'Lady Gaga: Gaga Still Releasing Alejandro In U.S.' Contactmusic. April 5, 2010. Archived from the original on October 6, 2015. Retrieved April 6, 2010.
  57. ^'Lady GaGa Will Release Alejandro As Next Single'. MTV News. April 6, 2010. Archived from the original on September 24, 2014. Retrieved April 16, 2010.
  58. ^'Radio Industry News: 4/20 Mainstream'. FMQB. Archived from the original on July 5, 2011. Retrieved October 24, 2010.
  59. ^'Lady Gaga – Dance In The Dark'. The Music Network (797). Archived from the original on August 3, 2010. Retrieved July 28, 2010.
  60. ^'Lescharts.com – Lady Gaga – Dance in the Dark' (in French). Top 50 Digital Singles. Archived from the original on November 2, 2012. Retrieved September 18, 2010.
  61. ^Kreps, Daniel (September 11, 2009). ''Fame Kills Starring Kanye West and Lady Gaga' Tour: First Dates'. Rolling Stone. Archived from the original on April 3, 2015. Retrieved March 23, 2015.
  62. ^Montogomery, James (October 1, 2009). 'Kanye West/ Lady Gaga's Fame Kills Tour Canceled'. MTV. Archived from the original on March 2, 2016. Retrieved October 1, 2009.
  63. ^Kreps, Daniel (October 15, 2009). 'Lady Gaga Announces 'The Monster Ball' Tour'. Rolling Stone. Archived from the original on January 3, 2011. Retrieved October 15, 2009.
  64. ^'Lady Gaga's Monster Ball Tour: The Concept'. MTV News. November 4, 2009. Archived from the original on November 8, 2009. Retrieved November 11, 2009.
  65. ^Dinh, James (February 18, 2010). 'Lady Gaga Dishes On Revamped Monster Ball Tour'. MTV News. Archived from the original on February 16, 2015. Retrieved February 18, 2010.
  66. ^Harrington, Jim (December 14, 2009). 'Review: Lady Gaga thrills S.F. crowd with strange, sexy show'. San Jose Mercury News. Archived from the original on September 21, 2016. Retrieved December 15, 2009.
  67. ^Waddell, Ray (December 8, 2011). 'Lady Gaga's Monster Ball Tour Breaks Record for Debut Headlining Artist'. Billboard. Archived from the original on May 9, 2013. Retrieved December 27, 2011.
  68. ^Kaufman, Gil (February 15, 2011). 'Lady Gaga Announces HBO Monster Ball Special'. MTV News. Archived from the original on September 6, 2015. Retrieved March 3, 2012.
  69. ^'The Fame Monster by Lady Gaga'. AnyDecentMusic?. Archived from the original on August 27, 2017. Retrieved December 20, 2016.
  70. ^ ab'Reviews for The Fame Monster by Lady Gaga'. Metacritic. Archived from the original on September 12, 2010. Retrieved February 23, 2010.
  71. ^Erlewine, Stephen Thomas (November 25, 2009). 'Lady Gaga – The Fame Monster Overview'. AllMusic. Retrieved November 25, 2009.
  72. ^ abWood, Mikael (November 23, 2009). 'Album review: Lady Gaga's The Fame Monster'. Los Angeles Times. Archived from the original on November 26, 2009. Retrieved November 24, 2009.
  73. ^ abChristgau, Robert (March 2010). 'Consumer Guide'. MSN Music. Archived from the original on April 16, 2010. Retrieved March 2, 2010.
  74. ^ abMcKay, Emily (December 3, 2009). 'Album review: Lady Gaga – The Fame Monster (Polydor)'. NME. Archived from the original on December 30, 2016. Retrieved December 22, 2016.
  75. ^ abEmpire, Kitty (November 22, 2009). 'Lady Gaga: The Fame Monster'. The Guardian. Archived from the original on December 20, 2013. Retrieved November 23, 2009.
  76. ^ abDolan, Jon (November 23, 2010). 'Lady Gaga: The Fame Monster'. Rolling Stone. Archived from the original on November 21, 2013. Retrieved October 30, 2010.
  77. ^ abModell, Josh (November 30, 2009). 'Lady Gaga, The Fame Monster (Cherrytree/Interscope)'. Spin. Archived from the original on March 5, 2016. Retrieved February 21, 2011.
  78. ^Hubbard, Michael (November 23, 2009). 'Track-By-Track: Lady Gaga – The Fame Monster'. MusicOMH. Archived from the original on November 11, 2013. Retrieved November 24, 2009.
  79. ^Power, Ed (November 24, 2009). 'Lady Gaga: The Fame Monster'. Hot Press. Archived from the original on April 4, 2016. Retrieved January 5, 2017.
  80. ^Hajibagheri, Sarah (November 21, 2009). 'Lady GaGa: The Fame Monster'. The Times. Archived from the original on March 3, 2011. Retrieved November 23, 2009.
  81. ^Pietrolungo, Silvio (December 2, 2009). 'Susan Boyle Sees Dream Soar To No. 1 On Billboard 200'. Billboard. Archived from the original on April 14, 2013. Retrieved December 3, 2009.
  82. ^Grein, Paul (December 2, 2009). 'Week Ending Nov. 29, 2009: Women Take Charge'. Yahoo!. Archived from the original on October 13, 2011. Retrieved December 3, 2009.
  83. ^'Billboard Dance/Electronic Albums: Week of December 12, 2009'. Billboard. Archived from the original on November 7, 2016. Retrieved December 4, 2009.
  84. ^ ab'American album certifications – Lady Gaga – The Fame Monster'. Recording Industry Association of America. Retrieved July 27, 2015.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
  85. ^ abCaulfield, Keith (March 29, 2019). 'Lady Gaga & Bradley Cooper's 'A Star Is Born' Soundtrack Passes 1 Million in U.S. Sales'. Billboard. Retrieved April 1, 2019.
  86. ^ ab'Best of 2010: Top Billboard 200'. Billboard. Archived from the original on January 1, 2015. Retrieved December 9, 2010.
  87. ^ ab'Best of 2010: Top Dance/Electronic Albums'. Billboard. Archived from the original on September 7, 2014. Retrieved December 26, 2010.
  88. ^'Canadian Albums Chart: Week Ending December 19, 2009'. Billboard. January 30, 2010. Archived from the original on January 29, 2016. Retrieved November 3, 2010.
  89. ^ ab'Charts Year End: Canadian Albums Chart'. Billboard. December 11, 2009. Archived from the original on July 18, 2014. Retrieved December 26, 2010.
  90. ^ ab'Australiancharts.com – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  91. ^ ab'ARIA Charts – Accreditations – 2010 Albums'. Australian Recording Industry Association. Retrieved July 27, 2015.
  92. ^ ab17, 2010/ 'Oricon Top 50 Albums: May 17, 2010' (in Japanese). Oricon. Retrieved July 19, 2016.
  93. ^ ab【オリコン】ガガ、アヴリル以来2作連続50万枚突破　11年海外歌手暫定首位 [Lady Gaga, first place in Japan debut in 2 years] (in Japanese). Oricon. July 26, 2011. Archived from the original on January 18, 2014. Retrieved July 26, 2011.
  94. ^ ab'アルバム 年間ランキング-ORICON STYLE ランキング' [Oricon Year End Albums] (in Japanese). Oricon. December 20, 2010. Archived from the original on May 21, 2015. Retrieved December 20, 2010.
  95. ^ abc'Lady Gaga Artist Official Charts'. UK Albums Chart. Retrieved July 19, 2016.
  96. ^'The Official UK Singles Chart for the week ending December 5, 2009'. UKChartsPlus. Milton Keynes: IQ Ware Ltd (432): 3.
  97. ^ ab'Ultratop.be – Lady Gaga – The Fame Monster' (in Dutch). Hung Medien. Retrieved July 19, 2016.
  98. ^ ab'Longplay-Chartverfolgung at Musicline' (in German). Musicline.de. Phononet GmbH. Retrieved July 19, 2016.
  99. ^ abSexton, Paul (February 4, 2010). 'Ke$ha, Lady Gaga Rule Euro Charts'. Billboard. Archived from the original on October 8, 2014. Retrieved February 5, 2010.
  100. ^ ab'IFPI Platinum Europe Awards – 2010'. International Federation of the Phonographic Industry. Retrieved July 27, 2015.
  101. ^'21st Annual GLAAD Media Awards'. Gay & Lesbian Alliance Against Defamation. February 20, 2010. Archived from the original on January 22, 2011. Retrieved February 21, 2010.
  102. ^ ab'53rd annual, Grammy awards: The winners list'. CNN. February 13, 2011. Archived from the original on July 8, 2011. Retrieved February 21, 2011.
  103. ^Grein, Paul (December 1, 2010). 'Eminem, Lady A Lead Grammy Noms'. Yahoo!. Archived from the original on October 13, 2011. Retrieved December 29, 2010.
  104. ^Farber, Jim (December 3, 2010). 'Eminem Leads Grammy Nominations'. The New York Times. Archived from the original on December 5, 2010. Retrieved December 27, 2010.
  105. ^'2010 International Dance Music Awards'. Winter Music Conference. Archived from the original on March 18, 2010. Retrieved March 27, 2010.
  106. ^'Meteor Ireland Music Awards – Non Voting Categories'. Meteor. Archived from the original on January 11, 2010. Retrieved February 3, 2010.
  107. ^'Premio Oye! 2010 Ganadores' (in Portuguese). Premios Oye!. November 11, 2009. Archived from the original on May 6, 2011. Retrieved December 31, 2016.
  108. ^'2011 Billboard Music Awards Winners List'. Billboard. April 25, 2011. Archived from the original on January 9, 2015. Retrieved May 18, 2015.
  109. ^Tyrangiel, Josh (December 8, 2009). 'The Top 10 Everything of 2009'. Time. Archived from the original on August 23, 2015. Retrieved September 19, 2015.
  110. ^'The 300 Best Albums of the Past 30 Years (1985-2014)'. Spin. May 11, 2015. Archived from the original on June 16, 2016. Retrieved September 19, 2015.
  111. ^Eisenger, Dale (November 8, 2013). 'The 50 Best Pop Album Covers of the Past Five Years'. Complex. Archived from the original on March 14, 2016. Retrieved December 21, 2016.
  112. ^'The 50 Greatest Album Covers of All Time'. Billboard. November 15, 2015. Archived from the original on November 17, 2016. Retrieved May 10, 2016.
  113. ^Unterberger, Andrew (November 15, 2016). 'Pop Art: Tracing Lady Gaga's Evolution Through Her Album Covers'. Billboard. Archived from the original on November 23, 2016. Retrieved December 10, 2016.
  114. ^Unterberger, Andrew (November 1, 2016). 'Every Lady Gaga Album, Ranked: Where Does 'Joanne' Fit In? (Critic's Take)'. Billboard. Archived from the original on July 18, 2017. Retrieved January 25, 2018.
  115. ^Bogart, Jonathan (July 10, 2012). 'Buy the Hype: Why Electronic Dance Music Really Could Be the New Rock'. The Atlantic. Archived from the original on February 17, 2016. Retrieved January 2, 2018.
  116. ^'Lady Gaga Has Made Dance Music Mainstream, DJ Tommie Sunshine Says'. Archived from the original on September 16, 2017. Retrieved January 23, 2018.
  117. ^Johnson, Kevin C. 'Lady Gaga helps bring EDM to the masses'. St. Louis Post-Dispatch. Archived from the original on August 27, 2014. Retrieved January 23, 2018.
  118. ^Calvin Harris and Zane on Beats 1 [Full Interview]. Beats 1 Radio. August 27, 2015. Archived from the original on June 15, 2017. Retrieved January 23, 2018 – via YouTube.
  119. ^Unterberger, Andrew (October 18, 2016). 'How Lady Gaga Raised the Standards for Ambition in Pop'. Billboard. Archived from the original on July 4, 2017. Retrieved January 23, 2018.
  120. ^'The 'Lady GaGa' effect persists'. Page Six. February 22, 2010. Archived from the original on September 16, 2017. Retrieved January 23, 2018.
  121. ^Morrissey, Tracie Egan (August 29, 2011). 'The Red Carpet Reeks Of Lady Gaga's Influence'. Jezebel. Retrieved January 23, 2018.
  122. ^Caramanica, Jon (July 21, 2010). 'Girl Pop's Lady Gaga Makeover'. The New York Times. Archived from the original on September 16, 2017. Retrieved January 25, 2018.
  123. ^ ab'Lady Gaga – The Fame Monster (Deluxe Edition)'. AllMusic. Archived from the original on May 15, 2016. Retrieved May 15, 2016.
  124. ^'Lady Gaga: The Fame Monster'. Amazon.com. Archived from the original on March 3, 2011. Retrieved December 30, 2016.
  125. ^'Lady Gaga: The Fame Monster'. iTunes Store. Archived from the original on January 5, 2015. Retrieved February 8, 2015.
  126. ^'Lady Gaga: The Fame Monster USB Edition'. Amazon.com. Archived from the original on March 3, 2011. Retrieved December 30, 2016.
  127. ^'Lady Gaga: The Fame Monster (Deluxe Edt.)' (in German). Universal Music. Archived from the original on November 29, 2014. Retrieved November 16, 2014.
  128. ^'The Fame Monster (UK Deluxe): Lady Gaga'. Amazon.com. October 4, 2011. Archived from the original on March 3, 2011. Retrieved November 16, 2014.
  129. ^'CDJapan: The Fame Monster (Limited release)' (in Japanese). CD Japan. November 18, 2009. Archived from the original on November 12, 2014. Retrieved November 16, 2014.
  130. ^The Fame Monster (Media notes). Lady Gaga. Interscope Records. 2010. 4988005605955.CS1 maint: others (link)
  131. ^'Teeth (Legal Title): BMI Work #11129493'. Broadcast Music, Inc.Archived from the original on March 3, 2011. Retrieved July 26, 2015.
  132. ^The Fame Monster (liner notes). Lady Gaga. Interscope Records. 2009. B0013535-72.CS1 maint: others (link)
  133. ^'Austriancharts.at – Lady Gaga – The Fame' (in German). Hung Medien. Retrieved July 19, 2016.
  134. ^'Ultratop.be – Lady Gaga – The Fame Monster' (in French). Hung Medien. Retrieved July 19, 2016.
  135. ^'CD – TOP 20 Semanal De 19 a 25 de Abril de 2010'. Pro-Música Brasil. Retrieved July 19, 2016.
  136. ^'Lady Gaga Chart History (Canadian Albums)'. Billboard. Retrieved July 19, 2016.
  137. ^'Top Stranih [Top Foreign]' (in Croatian). Top Foreign Albums. Hrvatska diskografska udruga. Retrieved July 19, 2016.
  138. ^'Czech Albums – Top 100'. ČNS IFPI. Note: On the chart page, select 201002 on the field besides the word 'Zobrazit', and then click over the word to retrieve the correct chart data. Retrieved July 19, 2016.
  139. ^'Danishcharts.dk – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  140. ^'Dutchcharts.nl – Lady Gaga – The Fame Monster' (in Dutch). Hung Medien. Retrieved July 19, 2016.
  141. ^'Lady Gaga: The Fame Monster' (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved July 19, 2016.
  142. ^'Lescharts.com – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  143. ^'Greekcharts.com – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  144. ^'Top 40 album DVD és válogatáslemez-lista – 2010. 26. hét' (in Hungarian). MAHASZ. Retrieved July 19, 2016.
  145. ^'GFK Chart-Track Albums: Week 48, 2009'. Chart-Track. IRMA. Retrieved July 19, 2016.
  146. ^'Italiancharts.com – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  147. ^'Mexicancharts.com – Lady Gaga – The Fame'. Hung Medien. Retrieved July 19, 2016.
  148. ^'Charts.org.nz – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  149. ^'Norwegiancharts.com – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  150. ^'Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart'. OLiS. Polish Society of the Phonographic Industry. Retrieved July 19, 2016.
  151. ^'Российский чарт 01-2010' (in Russian). 2M-Online. Archived from the original on April 25, 2011. Retrieved January 25, 2010.
  152. ^'Spanishcharts.com – Lady Gaga – The Fame'. Hung Medien. Retrieved July 19, 2016.
  153. ^'Swedishcharts.com – Lady Gaga – The Fame Monster'. Hung Medien. Retrieved July 19, 2016.
  154. ^'Swisscharts.com – Lady Gaga – The Fame'. Hung Medien. Retrieved July 19, 2016.
  155. ^'Lady Gaga Chart History (Billboard 200)'. Billboard. Retrieved July 19, 2016.
  156. ^'Lady Gaga Chart History (Top Dance/Electronic Albums)'. Billboard. Retrieved July 19, 2016.
  157. ^'Ranking Quincenal de Venta al Público'. CAPIF. Archived from the original on July 18, 2011. Retrieved August 9, 2010.
  158. ^'ARIA Charts: Year End: Top 100 Albums 2009'. Australian Recording Industry Association. Archived from the original on January 28, 2012. Retrieved December 30, 2009.
  159. ^'ARIA Charts – End Of Year Charts – Top 50 Dance Albums 2009'. ARIA Charts. Archived from the original on April 10, 2013. Retrieved January 9, 2013.
  160. ^'Album 2009 Top-100' (in Danish). IFPI Denmark. Hitlisten.NU. Archived from the original on September 26, 2010. Retrieved October 12, 2011.
  161. ^'Myydyimmät ulkomaiset albumit vuonna 2009' (in Finnish). Musiikkituottajat – IFPI Finland. Archived from the original on November 17, 2011. Retrieved February 6, 2012.
  162. ^'Album Jahrescharts 2009' (in German). MTV. December 29, 2009. Archived from the original on January 2, 2010. Retrieved August 24, 2018.
  163. ^'Best of 2009: Irish Albums Chart'. Irish Recorded Music Association. Archived from the original on December 18, 2014. Retrieved February 2, 2010.
  164. ^'Årslista Albums – År 2009'. Swedish Recording Industry Association. Archived from the original on June 7, 2012. Retrieved October 9, 2010.
  165. ^'ARIA Charts – End Of Year – Top 100 Albums'. ARIA Charts. Archived from the original on December 5, 2010. Retrieved May 18, 2011.
  166. ^'ARIA Charts – End Of Year Charts – Top 50 Dance Albums 2010'. ARIA Charts. Archived from the original on April 10, 2013. Retrieved January 9, 2013.
  167. ^'Jaaroverzichten 2010 (Flanders)' (in Dutch). Ultratop. Hung Medien. Archived from the original on August 28, 2014. Retrieved December 26, 2010.
  168. ^'Ultratop Belgian Charts'. Ultratop. Hung Medien. December 26, 2010. Archived from the original on October 26, 2012. Retrieved December 26, 2010.
  169. ^'Album 2010 Top-100' (in Danish). IFPI Denmark. Archived from the original on January 29, 2011.
  170. ^'Jaaroverzichten 2010' (in Dutch). MegaCharts. Hung Medien. Archived from the original on September 13, 2011. Retrieved December 26, 2010.
  171. ^'Charts Year End: European Top 100 Albums'. Billboard. December 22, 2010. Archived from the original on January 14, 2013. Retrieved December 26, 2010.
  172. ^'Myydyimmät levyt – 2010'. Musiikkituottajat – IFPI Finland. Archived from the original on May 1, 2011. Retrieved December 31, 2010.
  173. ^'Classement Albums – année 2010' (in French). SNEP. Archived from the original on December 29, 2013. Retrieved January 31, 2012.
  174. ^'Album Jahrescharts 2010' (in German). MTV Germany. December 31, 2010. Archived from the original on July 17, 2011. Retrieved August 24, 2018.
  175. ^'Italian Annual Top 100 Download Chart' (in Italian). Federation of the Italian Music Industry. January 17, 2011. Archived from the original on January 21, 2011. Retrieved January 17, 2011.
  176. ^'ARIA Charts – End Of Year Charts – Top 100 Albums 2011'. ARIA Charts. Archived from the original on January 29, 2012. Retrieved January 4, 2012.
  177. ^'ARIA Charts – End Of Year Charts – Top 50 Dance Albums 2011'. ARIA Charts. Archived from the original on April 9, 2013. Retrieved January 9, 2013.
  178. ^'2011 Year End Charts – Oricon CD Albums Top 100' (in Japanese). Oricon. Archived from the original on April 10, 2015. Retrieved January 3, 2012.
  179. ^'Årslista Album – År 2011' (in Swedish). Sverigetopplistan. Archived from the original on July 19, 2011. Retrieved January 25, 2012.
  180. ^'Best of 2011: Top Dance/Electronic Albums'. Billboard. Archived from the original on July 3, 2013. Retrieved December 9, 2011.
  181. ^'ARIA Charts – End Of Year Charts – Top 50 Dance Albums 2012'. ARIA Charts. Archived from the original on April 9, 2013. Retrieved January 9, 2013.
  182. ^'2017 Annual ARIA Dance Albums Chart'. Australian Recording Industry Association. Retrieved January 10, 2019.
  183. ^'2018 Annual ARIA Dance Albums Chart'. Australian Recording Industry Association. Retrieved January 10, 2019.
  184. ^'Ultratop − Goud en Platina – albums 2010'. Ultratop. Hung Medien. Retrieved July 27, 2015.
  185. ^'Brazilian album certifications – Lady Gaga – The Fame Monster' (in Portuguese). Associação Brasileira dos Produtores de Discos. Retrieved July 27, 2015.
  186. ^'Danish album certifications – Lady Gaga – The Fame Monster'. IFPI Denmark. Retrieved July 27, 2015. Scroll through the page-list below until year 2012 to obtain certification.
  187. ^'Vuosi 2010' (in Finnish). Musiikkituottajat – IFPI Finland. Archived from the original on March 3, 2016. Retrieved February 27, 2016.
  188. ^'Lady Gaga' (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved July 27, 2015.
  189. ^'French album certifications – Lady Gaga – The Fame Monster' (in French). Syndicat National de l'Édition Phonographique. Retrieved July 27, 2015.
  190. ^'Greek album certifications – Lady Gaga – The Fame Monster' (in Greek). IFPI Greece. Retrieved July 27, 2015.
  191. ^'Italian album certifications – Lady Gaga – The Fame Monster' (in Italian). Federazione Industria Musicale Italiana. Retrieved July 27, 2015. Select '2010' in the 'Anno' drop-down menu. Select 'The Fame Monster' in the 'Filtra' field. Select 'Album e Compilation' under 'Sezione'.
  192. ^'Japanese album certifications – Lady Gaga – The Fame Monster' (in Japanese). Recording Industry Association of Japan. Retrieved July 27, 2015.Select 2010年12月 on the drop-down menu
  193. ^'Dutch album certifications – Lady Gaga – The Fame Monster' (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved July 31, 2018.Enter The Fame Monster in the 'Artiest of titel' box.
  194. ^'IFPI Norsk platebransje Trofeer 1993–2011' (in Norwegian). IFPI Norway. Retrieved July 27, 2015.
  195. ^'Polish album certifications – Lady Gaga – The Fame Monster' (in Polish). Polish Society of the Phonographic Industry. Retrieved July 27, 2015.
  196. ^'Russian album certifications – Lady Gaga – The Fame Monster' (in Russian). National Federation of Phonogram Producers (NFPF). Retrieved July 27, 2015.
  197. ^'Guld- och Platinacertifikat − År 2010'(PDF) (in Swedish). IFPI Sweden. Retrieved July 27, 2015.
  198. ^'IFPI Middle East Awards – 2010'. IFPI Middle East. Retrieved July 27, 2015.
  199. ^'The Fame Monster – Lady Gaga'. [Amazon.com. October 30, 2009. Archived from the original on March 3, 2011. Retrieved October 30, 2009.
  200. ^ abcd'Lady Gaga: The Fame Monster (Deluxe)'. Amazon.com. November 18, 2009. Archived from the original on March 18, 2011. Retrieved September 4, 2010.
  201. ^'The Fame Monster'. Get Music. Archived from the original on December 31, 2016. Retrieved March 19, 2010.
  202. ^ abcde'The Fame Moster 2 Disc'. Billboard. November 24, 2009. Archived from the original on September 13, 2011. Retrieved October 8, 2009.
  203. ^'Lady Gaga - The Fame Monster Cd Importado Nuevo Cerrado' (in Portuguese). MercadoLibre.com. November 23, 2009. Archived from the original on December 30, 2016. Retrieved July 26, 2010.
  204. ^'Lady Gaga – The Fame Monster (Brazil)' (in Portuguese). Livraria Cultura. November 12, 2009. Archived from the original on December 30, 2016. Retrieved November 15, 2009.
  205. ^'The Fame Monster 2 CD'. HMV Group. Archived from the original on December 30, 2016. Retrieved November 22, 2009.
  206. ^'Lady Gaga estrenó The Fame Monster'. El Espectador. Archived from the original on July 10, 2011. Retrieved October 20, 2010.
  207. ^'Lady Gaga Releases Brand New Album on November 23' (Press release). PRNewswire. November 12, 2009. Archived from the original on November 15, 2009. Retrieved November 15, 2009.
  208. ^'The Fame Monster Australia'. iTunes Store. Archived from the original on July 2, 2016. Retrieved April 22, 2010.
  209. ^'The Fame Monster (Explicit)'. iTunes Store. Archived from the original on September 18, 2014. Retrieved February 4, 2010.
  210. ^ ab'Lady Gaga: The Fame Monster'. Amazon.com. February 1, 2010. Archived from the original on March 3, 2011. Retrieved February 9, 2010.
  211. ^'CD musicali The Fame Monster'. IBS.it. June 8, 2010. Archived from the original on December 30, 2016. Retrieved July 9, 2010.
  212. ^ ab'Lady Gaga: The Fame Monster (8-Track)' (in German). Amazon.com. Archived from the original on March 3, 2011. Retrieved October 26, 2010.
  213. ^'Lady Gaga: The Fame Monster (8-Track)' (in German). Bravado. Archived from the original on March 3, 2011. Retrieved October 26, 2010.

External links

  • The Fame Monster at Ladygaga.com
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Fame_Monster&oldid=893463179'

Review by Stephen Thomas Erlewine

Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it’s tacked onto a now standardized version of her debut. It’s a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of “Bad Romance” and the updated ABBA revision “Alejandro,” as it is on the rock & roll ballad “Speechless” -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march “Teeth.” Even the stuttering splices on “Telephone,” a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that’s become Gaga’s calling card. And even as she’s becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she is still slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she’s not just a fleeting pop phenomenon.

Title/ComposerPerformerTimeStream
1 4:54
2 4:34
3 4:09
4 4:30
5 4:48
6 3:40
7 3:54
8 3:40
Title/ComposerPerformerTimeStream
1 4:01
2 3:36
3 3:28
4 3:57
5 3:22
6 2:55
7 3:36
8 2:52
9 3:42
10 2:50
11 3:20
12 4:23
13 4:02
14 4:13
15 3:41
16 3:04
blue highlight denotes track pick
   Coments are closed